Our questions:
· How do you motivate reluctant strategies?
· Which strategies are most important for all learners?
· Which strategies most significantly increase comprehension?
· How can we get our students to connect to print?
· How can we get students to pay attention?
· How can we get students to demonstrate their understanding with little work for teachers?
· With so much diversity in our classrooms, how can we choose one novel?
· How can we help students find ways to want to read, rather than see it as a chore?
We then considered what it FELT like to read books we couldn’t read easily and weren’t interested in (obscure philosophy):
· Disconnected
· Disengaged
· Lost
· How can I bluff?
· Excruciating
· Panic
· Confidence eroded
· Frustrated
· Stupid
· Distracted
· Confused
· Chaos (of words and ideas)
· Angry
· This is a waste of time!
We also pondered the most important question in these changing times: why should students read the novel (instead of blogs, non-fiction, short stories, movies and so on):
· Awareness of different perspectives
· Ability to visualize
· Awareness of the range of human nature
· Awareness of situations
· Experience “other”
· Sense of history
· Allows students to step out of egocentricity
· Capacity for depth
· Ambiguity allows for personal interpretation
· Sustained thinking
· Sense of story
· Possibility to stretch as thinker
· Food for imagination
· Creates connections
· Safe way to experience the range of emotions
· Provides many entry points (can be read at a variety of levels)
· Experience of rich language
And then we considered, given the enormous (and growing) diversity of learners in our classrooms, why should we read ONE novel?
· Survival (ours)
· To allow students to learn from and with each other
· To teach common strategies and skills
· To provide common language
· To provide common experience
· To allow equal access within diversity
· To enrich the experience of all
Given that we agreed that reading novels is important and one novel is a rich way to create common and enriching experiences, how can we provide access for all learners?
· Universal design (ramps)
· Read aloud (and think aloud)
· Provide book on tape (ipod)
· Small groups (some read chapter alone, some with buddy, some with EA, parent, teacher)
· Provide/create visual prompts
· Progression: chapter one together, chapter two, read some and students finish chapter silently (except for readers who continue with teacher).
· Be thoughtful about the level of noise in the classroom as students read
Below are some of the novels we are working with and our framework for thinking about them. Please feel free to add your ideas. We have just got started and have a lot left to do, but many hands make light work.
Note: I’ve used amazon.com to get short summaries of the novels and stories.
CONNECT:
For each novel, we’ve begun (in a short session together) to consider how we would provide background and connections for students before they read the novel. We thought about the themes, ideas or concepts that are key to the novel, the end task to demonstrate their understanding (using the IRPs and the BCPS for reading literature), the strategies we thought would best help students to understand the novel and complete the task, and from these, the goal we set for student learning. Then, with these things in mind, we considered what background knowledge is necessary and which short text would help us to practice strategies and consider concepts before the more complex novel.
PROCESS:
We also considered, but very briefly, how we would process the novel. We agreed to a “universal design.” Because not all students can read the novel on their own, we plan to read aloud with the whole class, in small groups or provide recorded readings. However, all students will think together deeply. One thing we thought about is how each day we need to plan with our goal in mind as well as being aware of the needs of the children. If the children struggle with a strategy, we need to stick with it, revise our lesson, deepen the learning, rather than add a new strategy or change focus. On the other hand, we also have to provide novelty by teaching the strategy with a new tool, for example, or from a different perspective.
TRANSFORM:
We thought about those tasks we can set that allow our students to transform what they’ve learned into their own expression of it. We agreed that the daily work the students do should lead them to do the task well and that we would use formative assessment for the daily work (comments, highlighting, sticky notes, and conferences) and only mark our final task (or sometimes two or three tasks) using a student developed rubric.
Stone Fox
Schooled
Bridge to Terabithia
The Tenth Pupil
Touching Spirit Bear
The Giver
A Taste of Blackberries
The City of Ember
Cariboo Runaway
Underground to Canada
Holes
Comments (1)
Kathy McKierahan said
at 3:12 pm on Nov 20, 2008
This is amazing work and every English teacher should be encouraged to try teaching the novel in this manner.
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